![]() ![]() The problem many artists face who attempt this is that the end result comes awfully close to sounding like generic new agey music that drifts in one ear and out the other. He creates acoustic instruments with synthesizers and programmed beats to create very pleasant, very well-crafted pieces that don't really challenge the listener but instead create a kind of warm, fuzzy blanket of sound for them to settle into. If there is an overriding aesthetic to Insides, it's the kind of ambient techno that labels like Instinct and artists like Pete Namlook and Irresistible Force were making in the early '90s. He dips into ominously distorted gangsta glitch on the title track, lush big beat on "Wire," burbling orchestral dubstep on "Vessel," and icy cold IDM on "Colour Eye," and while each excursion sounds good, there is nothing much happening that a fan of electronic music in its many forms hasn't heard done better before. It shows that Hopkins has a firm grasp on many styles of electronic music but doesn't prove to be a master of any. His debut for Domino, 2009's Insides, is his first record that many people will hear and it's a promising, but flawed, debut. Prior to this he had worked with Massive Attack and released two albums on small labels. Jon Hopkins got a pretty big résumé boost in 2008 through his production work (alongside Brian Eno and others) on Coldplay's Viva la Vida. Purchase and download this album in a wide variety of formats depending on your needs.
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